Showing posts with label sketching. Show all posts
Showing posts with label sketching. Show all posts

Monday, 17 February 2014

Gobbolino the Witch's Cat by Ursula Moray Williams

Recently I've been thinking about other illustrated books that I enjoyed reading as a child and immediately thought of this one. Gobbolino the Witch's Cat is the story of a kitten who never wanted to be an evil, mischievous witch's cat- he wanted to be a house or farmcat that could just curl up beside the fire instead of stirring cauldrons and making spells.



I really loved the illustrations in this book because of their scribbly style. The author Ursula illustrated the book herself which I thought was a great idea because an author would know exactly where each illustration should be and where it would be needed most, and would be able to execute it exactly the way they wanted. However not all authors have an artistic talent like Ursula and so there exists jobs for people like me. :D



Just like in Black Beauty there are little vignettes throughout the book which is something I'm beginning to realise is a feature I like in books, as well as chapter illustrations. I love that the drawings in this book in particular are almost just refined sketches- they remind me of my reportage and sketchbook work in that they're not perfect but have a quaint charm about them (maybe because they are so imperfect).



 There are quite a lot of illustrations in this book, more than usual for a story of this length. However although this would be impractical for a lot of artists, because of the style of the work, it meant that it wouldn't be so difficult to put in as many illustrations as want or needed.
While working through The Witches I identified quite a lot of illustrative spikes, many being small vignettes, and so maybe I could try doing my own drawings in a quicker, colourless style to be able to achieve this.

Tuesday, 11 February 2014

Life Drawing 10/2/14

For the first time in a while we finally had a female model to draw. Again I made a concious effort to break away from my usual pencil/fineliner sketches and used a lot more varying techniques.

 

First sketches with pencils. 3 minutes each. 

 

In this sketch we had 3 minutes to draw the model using straight lines. My approach to this was to use a magenta felt tip to draw lots of small straight lines. However I wasn't very pleased with the result, it was harder to get down a good draught of the model and so some of the proportions were off. If I tried this again I would probably try it with a medium that could be built up in layers such as charcoal or pencil. 

 

This was an experiment I liked slightly more. Instead of drawing with only straight lines, in this I used flowing, bubbly circle lines. Again I tried a felt tip, this time choosing a blue one because bubbles remind me of the ocean, and I thought that the way I could build up the density of the circles was a great way to discern areas of light and shadow. 

 

And then this was my favourite of the three line experiments. Again using felt tip, choosing a navy blue, this was a continuous line drawing that I actually really liked. Usually I'm not the biggest fan of line drawings as I'm more accustomed to using small sketchy strokes but while I was drawing it I thought it almost looked like a puppet doll with the separations at each joint like the elbows, knees and shoulders. After that I tried to keep the rest of the drawing in the same vein and I feel really happy with the outcome. 

 

This was a drawing with a dark charcoal pencil. After drawing out the figure, I added some tone using the charcoal pencil and smudged it with my fingertip to add a softer touch. Although unfinished I think the tone adds a lot of depth to the image and I like the expression the model is holding. 

 

This was a drawing with coloured pencil. I find coloured pencils a lot different to regular pencils to draw with in that they tend to wear down a lot quicker and it can be hard to get a fine, sharp point. However this was a coloured pencil drawing I liked (apart from the feet and head) because I took my time with this and carefully added lines and small areas of tone. I tried to draw the feet more closely because they were at an odd angle but I don't feel I was successful with this because I couldn't quite get the foreshortening on the feet down properly.

 

Throughout the longer poses I moved around to be able to capture the same pose at different angles. Again using felt tip, I thought this was a decent attempt at the angle because the foreshortening of the body can be quite difficult to get right. 

 

Then I tried using some A3 size paper instead of my usual square sketchbook. For this drawing I used graphite sticks, a 2B and a 9B. I used the 9B to sketch out the general figure and too add tone, while the 2B was used to draw details and strengthen lines. 

 

Again I used graphite for this drawing, however I only used the 2B for the face because the 9B was too soft to record the details properly. This was my favourite drawing of the session because I think I've got the anatomy of the model down accurately and I really enjoyed working larger with the graphite. 


Then when I had some time left over I tried drawing with fineliner. It took me a little longer to get to this stage than with the graphite as I had to think more about where I would put my lines and how strong they should be at each part. Even though I didn't finish it I'm happy with the progress I made in regards to drawing with fineliner and I will definitely try it again.

Tuesday, 19 November 2013

joybeans

joybeans from deviantart has produced some pretty intricate line drawing reportage.

image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com
I like the splashes of colour in the latter two works, as I think it helps define the focal point properly as well as add some variety into her work.
I think because those two sketches are not as delicately detailed as the former two, the colour helps differentiate the two 'styles' almost.

Although I like her work, and think it has a very cute style, I something like this would not work well for me as I like to draw with long, flowing lines with lots of movement and room to manouver, instead of drawing neatly with lots of straight, short lines.

image credit to joybeans.deviantart.com

image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com

They have also done some digital paintings and sketches.

image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com
image credit to joybeans.deviantart.com






RESEARCH ONLY- IMAGE CREDITS TO JOYBEANS.DEVIANTART.COM

jack sephton

Jack Sephton has some interesting reportage sketches. Compared to a lot of reportage, they're very dark toned and almost all of buildings within the city.

image credit to jacksephton.deviantart.com
image credit to jacksephton.deviantart.com

image credit to jacksephton.deviantart.com

He uses watercolour in all of these and changes between ink and fineliner pen.

image credit to jacksephton.deviantart.com
image credit to jacksephton.deviantart.com

I like the way the images look as though they've been drawn quickly but the attention to detail is still there in the features of the buildings.

image credit to jacksephton.deviantart.com
image credit to jacksephton.deviantart.com
image credit to jacksephton.deviantart.com

He has also produced some illustrations of birds, again using watercolour and fineliner. I like the contrast within the images and think he's very good at using these mediums. He works in a very similar way to myself, in that I like to first sketch, paint and then refine the drawing with fineliners. However his work is more detailed, especially in colours, shading and in the clearly thought out compositions, and this is something I could try to work towards in my own work (Perhaps in the animals project?).


RESEARCH ONLY- ALL IMAGES CREDIT TO  jacksephton.deviantart.com


alessandro andreuccetti

alessandro andreuccetti has a brilliant web portfolio on his deviantart account, andreuccettiart.deviantart.com.

He also has a lot of reportage sketches on there from his sketchbook, in a few different mediums and styles.

credit to andreuccettiart.deviantart.com
This is ony of my favourite reportage sketches from his gallery. I really like illusion of depth and perspective and the colours and textures he has used in it. The way he has done a relatively simple paint wash background has helped influence my own sketchbook reportage as I've taken to experimenting with different brusho and watercolour techniques to produce a similar effect. I think this style really adds something to an otherwise plain line drawing, and helps add depth of field and a way for my to control the focal point of the piece.

image credit to andreuccettiart.deviantart.com
He also has some reportage sketches of people within a gallery.

image credit to andreuccettiart.deviantart.com
image credit to andreuccettiart.deviantart.com
He uses watercolour paints to add colour and life to these sketches, and he sketches everything from landscapes to buildings and people.

image credit to andreuccettiart.deviantart.com
image credit to andreuccettiart.deviantart.com
image credit to andreuccettiart.deviantart.com
image credit to andreuccettiart.deviantart.com

image credit to andreuccettiart.deviantart.com

image credit to andreuccettiart.deviantart.com
As you can see he has a very good grasp of perspective and the colours he uses to paint these sketches give them a lot of character.

image credit to andreuccettiart.deviantart.com

image credit to andreuccettiart.deviantart.com

His other works are also exceptional. His colour studies are absolutely fantastic! I love the vibrance of his images, especially the tree and forest studies.

image credit to andreuccettiart.deviantart.com
image credit to andreuccettiart.deviantart.com
 In different mediums he has also done studies and sketches of horses, some in acrylics and some in ink, pen and watercolour combined.

image credit to andreuccettiart.deviantart.com

image credit to andreuccettiart.deviantart.com

 
image credit to andreuccettiart.deviantart.com

 
image credit to andreuccettiart.deviantart.com

 

RESEARCH ONLY- ALL ART CREDITS TO andreuccettiart.deviantart.com